Nero Di Marte’s sound falls somewhere between The Ocean, Isis and early Pink Floyd. Derivae was recorded 100% in analog which allows the band sonic space to build their epic soundscapes – most of which clock in around the eight minute mark. The band chose to record in analog so “we could develop and commit to atmospheres and sounds while recording instead of thinking about how this guitar effect or that part should sound while mixing. It makes it a little bit more true to how we are when we actually play as a band, without the challenges of doing a live recording”. (from interview with Invisible Oranges).
The disc starts with “L’Eclisse”, which starts with crashing dark and ominous guitar chords which build up to a claustrophobic wave of sound over which drummer Marco Bolognini adds powerful drum fills. Guitarist/vocalist Sean Worrell utilizes a range of vocals across this disc and, on this song, his Italian baritone sounds a bit like Moonspell vocalist Fernando Ribeiro. The band shifts gears with the third track, “Pulsar”, where Worrell’s whaling vocals are featured up-front in the mix and Bolognini’s drumming takes on a tribal beat. There are a number of rises and falls in the music, including one where Worrell’s vocals are whispered over this tribal beat and the song closes with a moody, “Pink Floydish” outro.
Some of the other highlights on the disc are “Il Diluvio” and the 10+ minute final track “Those Who Leave”. “Il Diluvio” is a dark, almost doom number with a big post-rock sound. This song features big, crashing guitar chords and vocals beneath the wall of sound. This sonic swirl slows down toward the end to get more atmospheric. “Il Diluvio” is very “Pink Floydish” with its electronic burble of sounds. The guitar is slowly added in and vocals are a chant below the instrumentation. A major portion of this song is instrumental and this number ends where it started, with an instrumental outro.
Nero Di Marte