Showing posts with label Death Rock. Show all posts
Showing posts with label Death Rock. Show all posts

Thursday, July 18, 2013

The Bellicose Minds: Portland Post-Punk / Death-Rock Trio Signs With A389 Recordings



The Bellicose Minds: Portland Post-Punk / Goth-Rock Trio Signs With A389 Recordings
The debut disc from The Bellicose Minds, Spine, hits a 'sweet spot' as it brings back memories of the death/goth-rock sounds (the Rozz Williams-fronted lineup of Christian Death and Bauhaus) of my youth so I'd love to see the band hit the East Coast. The Bellicose Minds did an interview last year with CvltNation which goes a long way toward describing the band's sound, outlook and influences.

Oliver (CvltNation): Who came up with the name “Bellicose Minds” and what is it supposed to mean? In other words, is there any particular story behind the name?

Nick Bellicose: Finding band names is hard with so many good, obvious ones taken. You can either spam the button on the name generator web site or draw words from a hat. We didn’t want that. It feels heartless and cheesy. We really wanted a name that had a meaning, and said something about the band. There were some ideas thrown around, but I ended up coming up with The Bellicose Minds. The rest of the band liked it. It reflects our attitudes towards life and society, to be in a state of agression and warfare. Non-complacent, driving forward through the sea of shit we live in.

Oliver: I really like the vocals – they have a classic sound but also don’t really sound like many vocals you actually ever hear bands having any more these days. They remind me a little of Vex (the UK postpunk band) or later-era The Dark after they got gothier (“Shattered Glass”). Are those conscious influences on your vocals’ sound, or the band’s sound as a whole? If not, what is?

Nick: It’s easiest for me to sing in a lower register. I always liked the way Jim Morrisson and David Bowie sang when I was a kid. That was music I heard from my parents as a very young child. I started finding my own music to listen to at the age of 9 or 10, and always looked for extremes. I love extremes. I listen to a lot of hardcore punk and anarcho-punk from the late 70′s and 80′s. I draw from the aggression and provocation in many of the lyrics from those styles of music. Darker punk/post punk bands definitely have a big influence on how I forge the lyrics and sound in our songs. Singers such as Mark Burgess, Adrian Borland (RIP), and Mic Jowger (Pink Turns Blue) are huge influences because they all had their own style, and felt their words. At the end of the day I always try to come up with my own style and ideas — my own voice. Influences are important, yet it’s important to respect them for what they are and not become a rip off.



The Bellicose Minds likes to keep the music dark, and sinister, always throwing cynical thought to the foreground. Flowing with a dark, early-‘80s Gothic rock edge citing influences from The Chameleons, The Sound, Red Lorry Yellow Lorry and Danse Society, and of course the rain the Northwest continually brings, The Bellicose Minds has toured in the US and played at key underground punk festivals in Canada since their incarnation in 2008. While the band has sustained multiple lineup changes, it has always at its core been AJ on drums and Nick on lead guitar and vocals, and the current lineup sees bassist Mira joining the founding pair.

The Bellicose Minds have exposed the rock underworld to a variety of self-released demos and independent releases over the years including two tapes, a self-titled 7” EP, and most recently their first LP, The Spine, released earlier in 2013 via Blackwater Records. One of the act’s seminal releases is 2009’s The Buzz Or Howl Sessions, initially self-released only as a 500 copy run on dubbed cassettes. A389 will now officially re-release the long out-of-print The Buzz Or Howl Sessions for the first time ever on vinyl, the initial masters completely remastered by Audiosiege and artwork and layout to feature a full redesign. It’s coming together to see release late this Fall with a confirmed street date to be announced shortly.

Additionally, The Bellicose Minds is currently in the writing process for their next LP which will also see release through A389 later in the year alongside the band’s first European tour this Fall and additional regional and stateside touring.

Links:
The Bellicose Minds

Wednesday, August 03, 2011

Totimoshi: Desert Death Rock Band Plays St. Vitus on August 20th // Ltd. Edition Split 7" with The Melvins Available at Show

Totimoshi: Desert Death Rock Band Plays St. Vitus on August 20th // Ltd. Edition Split 7California trio, Totimoshi, will kick off their long-awaited North American tour tomorrow in Scottsdale, Arizona. The band will spread its unique brand of heavy desert death rock across nearly 30 cities, before winding down on September 3, 2011 in Tucson, Arizona.

The band will be touring in support of their soon-to-be-unleashed Avenger full-length, set to drop on August 16, 2011 via At A Loss Recordings. Avenger was produced by Toshi Kasai (Melvins, Shrinebuilder, Tool), mastered by John Golden (Melvins, Mike Watt, OM) and includes appearances by Dale Crover (Altamont, The Melvins, Shrinebuilder), Brent Hinds (Mastodon) and Scott Kelly (Neurosis, Shrinebuilder).

Additionally, Totimoshi will be selling copies of their new, very limited split 7" with the Melvins (released through Volcom) throughout the tour. Commented guitarist/vocalist Antonio Aguilar: "Totimoshi is honored to be sharing a 7" with one of our favorite bands in the world, the Melvins. There will only be 1000 pressed and 200 available through us, so you better get out to the venues!"



Totimoshi U.S. Tour 2011:
8/04/2011 Chaser's - Scottsdale, AZ w/ Greenhaven
8/05/2011 The Due Return - Santa Fe, NM
8/06/2011 3 Kings Tavern - Denver, CO w/ Ume, Self Service
8/07/2011 Duffy’s - Lincoln, NE
8/08/2011 Off Minor - Dubuque, IA
8/09/2011 Garibalid’s - Milwaukee, WI w/ Sleestak, Like Like The Death Deaths
8/10/2011 The Frequency - Madison, WI
8/11/2011 Ultra Lounge - Chicago, IL
8/12/2011 Mac’s Bar - Lansing, MI
8/13/2011 Stone Tavern - Kent, OH w/ Rebreather, The Unclean
8/14/2011 Hard Luck - Toronto, ON
8/15/2011 TBA - Montreal, QC
8/17/2011 O’Brien’s - Cambridge, MA
8/19/2011 TBA - Providence, RI
8/20/2011 Saint Vitus - Brooklyn, NY (Advance tickets are $10)
8/21/2011 Golden West - Baltimore, MD
8/22/2011 Strange Matter - Richmond, VA
8/23/2011 The Casbah - Durham, NC
8/26/2011 Milestone - Charlotte, NC w / Music Hates You
8/27/2011 The Drunken Unicorn - Atlanta, GA w/ Zoroaster
8/28/2011 Hi Tone Café - Memphis, TN
8/29/2011 Siberia - New Orleans, LA
8/30/2011 The Mink - Houston, TX
8/31/2011 Scoot Inn - Austin, TX w/ Vaz, Pygmie Shrews
9/01/2011 Korova Basement - San Antonio, TX
9/03/2011 Vaudeville - Tucson, AZ

Links:
Totimoshi

Monday, March 28, 2011

Ghost - "Opus Eponymous" CD Review (Metal Blade)

STREAM: Ghost - "Ritual" (click-through to sterogum.com)

Ghost - 'Opus Eponymous' CD Review (Metal Blade)Sweden’s Ghost take an interesting and engaging twist on the metal genre as the band plays psychedelic alt-rock with clean vocals and harmonies, memorable anthemic melodies and heavily Satanic lyrics. The band released their US debut album Opus Eponymous earlier this year through Rise Above/Metal Blade. This disc was released in Europe last year and Fenriz of Darkthrone listed this album as one of his favorite releases from 2010 – “astounding album but is it heavy metal occultism or death-rock? who cares”.

The music and philosophies of Ghost specifically target "individuals who have a void in their life perhaps caused by some form of emotional trauma or upset" (research suggests these are most likely adolescents); this dearth can then be alluringly filled by Ghost's music and philosophies, "so that in time the easily manipulated will come to share the views and goals of the Coven's ministry and can prepare their own plans for the downfall of humanity."

"Our mission is not as much about conversion as it is about underlining which path you all have chosen to go, and where it will ultimately lead you," declared Ghost in a rare communiqué.

The disc’s nine tracks run just under 35 minutes and the catchy, “death rock” sensibilities of the band make this a disc that could have caught on with a wider audience if not for the blasphemous lyrics. With odes to Satan, a spoken word bastardized version of The Lords Prayer and tales of human sacrifice, Ghost’s lyrical content comes close to rivaling Mercyful Fate and Impaled Nazarene. The band adds to the overall feeling of a satanic ritual in their live show as the six (unnamed) members of Ghost play behind masks and robes and the lead singer dresses as a black pope.



If you can get past the overt Satanism, Ghost has impressive musical chops and Opus Eponymous is a diverse and tightly executed disc. Rounding out the melodic death rock, the disc opens and closes with a pair of instrumentals. The opening track, “Deus Culpa”, adds to the death rock comparisons and is a minute and a half piece held together by a mournful church organ. The final track, “Genesis”, is an aggressive, almost art-rock instrumental.

Ghost’s only scheduled US appearance is at Maryland Deathfest on May 29th.

Links:
Ghost

Sunday, July 09, 2006

Dinah Cancer / 45 Grave - Back From the Dead

Dinah Cancer & 45 Grave @ CBGB, NYC March 5, 2006
45 Grave @ CBGB, NYC March 5, 2006 

Today I have going through pictures from shows I attended earlier this year and found my pictures from 45 Grave's show at CBGB this past March. I saw 45 Grave last year at one of the "Save CBGB" benefit shows when the band had recently reformed.

Dinah Cancer & 45 Grave @ CBGB, NYC March 5, 2006
Dinah Cancer & 45 Grave @ CBGB, NYC March 5, 2006 


The only original member of the band is Dinah Cancer . At last year's show, the guitarist was Rikk Agnew (x-Christian Death, Adolsecent) but this year, Dinah's band appears to be unknowns. The shows were a lot of fun if you want to relive the 80's death rock era but these shows won't convert new fans. There were no new songs and, while the backing band was competent, they didn't have the musical chops of Don Bolles, Rob Graves/Ritter or Paul Cuttler.

As a side note, I had a chance to talk with Don Bolles a few months back and told him that I had seen the reunited 45 Grave at a "Save CBGB" show. His immediate comment was "I'm sure they sucked".

Dinah Cancer & 45 Grave @ CBGB, NYC March 5, 2006
45 Grave @ CBGB, NYC March 5, 2006 

What was fairly interesting is that the band had some of their original CDs for sale which have been long out of print and have just been reissued. As titles like "Sleep In Safety" and "Only the Good Die Young" have been long out of print (and going for too much on eBay), I was glad to be able to pick up both of these CDs at an affordable price. Both CDs are great and highly recommended.



If you are a fan of early Christian Death, Sisters of Mercy, The Misfits and the like, 45 Grave are certainly worth catching live.

UPDATE:
I was surfing YouTube and ran across a video of the original 45 Grave.
>
45 Grave - Live on New Wave Theater