Showing posts with label Quiet Riot. Show all posts
Showing posts with label Quiet Riot. Show all posts

Monday, September 08, 2014

Quiet Riot - '10' CD Review (RSM Records)

Quiet Riot - '10' CD Review (RSM Records)
With the untimely death of vocalist Kevin DuBrow in 2007, it seemed the book was closed on Quiet Riot’s three decade long career. Frankie Banelli though restarted the band in 2010 with Chuck Wright (bass) and Alex Grossi (guitar) from Rehab’s touring lineup but vocalists rotated through the band until the end of last year when Jizzy Pearl (Love/Hate, Ratt, L.A. Guns, etc.) joined the band. This lineup released the band’s twelfth disc, 10, this past June and the disc also features guest appearances from Rudy Sarzo and Tony Franklin.

While Rehab highlighted Quiet Riot’s 70’s rock influences, which range from The Faces to Spooky Tooth and Led Zeppelin, 10 is a melodic hard-rock album that brings to mind Motley Crue’s self-titled 1994 disc. On this new ten track disc, the first six songs are studio recordings with the new lineup and the final four songs are live recordings with Kevin DuBrow, which are from the last professionally recorded shows that Kevin played.

10 follows in the spirit of Remedy and continues to veer away from Quiet Riot’s “party rock” sounds, with most of this cuts on this new disc being melodic guitar-driven, hard rockers. While Pearl’s vocals are grittier than DuBrow’s, they aren’t that far removed either which makes this disc clearly sound like a Quiet Riot album. The only noticeable difference from the past is that the band now uses group/gang vocals on the choruses.

The disc starts with “Rock in Peace” which sets the tone for the rest of the studio cuts and the band gives gives a nod to their past bringing lyrics from “Metal Health” into the chorus. On “Bang for Your Buck”, the band pick up the pace with a faster, teasing guitar line that sounds somewhat like Van Halen. This new lineup hits their groove with “Backside of Water”, which is a riff-happy hard rocker with pounding drums and brilliant guitar licks. “Band Down” is more groove oriented with the echo on the backing vocals and sounds like it could have come from Motley Crue’s self-titled 1994 release.

The live cuts are an interesting selection and are sort of a mixed bag in terms of sound quality. In an interview with Loudwire, Frankie Banali said: “I picked tracks that were special and of the moment. Let’s just say that there will be a familiar track, two unexpected choices and one that really shows the roots of Quiet Riot and how the band interacted in the live arena.” The live tracks start with “Put Up or Shut Up” from QRIII and then are followed with “Free” and “South of Heaven”, from Rehab. While DuBrow sounds in great form and Alex Grossi plays some stellar leads, the sound quality on these first two tracks is just ‘fair’. Unfortunately, the tracks aren’t well mixed and there are some noticeable sonic limitations, like mic overload and harsh backing vocals. The sound quality is significantly better (through bass heavy) on “South of Heaven” and the almost 10 minute medley of blues covers, “Rock ’n’ roll Medley” sounds phenomenal. This last song/extended jam includes songs from the Jeff Beck Group, Humble Pie and Led Zeppelin.



Links:
Quiet Riot

Wednesday, January 25, 2012

Quiet Riot Plays B.B. King's on Feb. 1st w/ All Points West (Spread Eagle) and Saviour

I’ve never figured out why there seemed to be a mainstream backlash against Quiet Riot. When Quiet Riot last came though New York (they played the St. George Theatre in Staten Island in 2006), I asked some of my friends who have mainstream musical tastes (i.e. Nickelback and Poison fans) if they wanted to go with me to the show and they gave me looks like I asked them if they wanted to see (i.e.) The Wiggles open for Miley Cyrus. My friends missed a fabulous show – Rehab (which the band was touring behind at the time) has to be one of the band’s strongest discs and it showed them moving toward a 70’s “classic rock” sound that was akin to Rod Stewart & The Faces. Adding to the mix, love him or hate him, Kevin DuBrow was one of the best front-men in rock.



With the blessing of Kevin’s mom, drummer Frankie Banali reactivated the Rehab lineup of Quiet Riot and recently added vocalist Keith St. John from Montrose. This new lineup of the band is making their first appearance in NYC on Feb. 1st with a show at B.B. Kings. There are a strong set of bands opening for Quiet Riot (unlike the terrible Iron Maiden tribute band that opened for QR in Staten Island) – Ray West’s All Points West and long-running Long Island metalers Saviour. Tickets are $18 in advance and $22 DOS.

Links:
Quiet Riot

Sunday, March 11, 2007

Quiet Riot - NYC Tour Dates and Rehab CD Review

I have been a Quiet Riot fan for years and one of my frustrations is that the band never seems to play in Brooklyn or Manhattan. I think the band's last show in the city was 2003 at B.B. King's. I rarely go to shows outside of the area but last year I drove to Staten Island to see the band's show at the St. George Theatre and it was a fabulous show. The band looked and sounded better than they did in 2003.

Finally, Quiet Riot are playing a show in the city. They are playing the Canal Room on April 6th. (There is another show in the area on April 7th at the Starland Ballroom in Sayreville, NJ)

The band is continuing to tour behind their CD Rehab, which was released late last year on Chavis Records. This CD has been on my iPod for the last few weeks and I really like the band's change in sound. The glossy production and party-rock sound of past releases is gone and the band's current sound is harder and more blues oriented. A point of comparison would be Humble Pie or the David Coverdale lineup of Deep Purple. The Deep Purple comparison seems particularly appropriate as Glenn Hughes sings and plays on a few cuts, including a fabulous cover of Evil Woman (which was recorded by Spooky Tooth in the late 60s).

The band sounds in great form on this release. There is one track that is a throwback to "party rock" sound (It Sucks to be You ) but, other than this, the band's sound is firmly routed in early 70's British Rock. Some of my favorite cuts are South of Heaven, Black Reign and Old Habits Die Hard. The later song even features a gospel chorus which fits perfectly within the song.

The band has an integrated sound on this disc and all instruments and vocals flow together. Prior to listening to this disc, I hadn't heard of session guitarist Neil Citron before. He plays some amazing leads and Tony Franklin (x-The Firm), Frankie and Kevin all sound great. As great as the band sounds on disc, the touring lineup that includes Alex Grossi and Chuck Wright sounded even better at the Staten Island show last year so Neil and Tony's contributions aren't necessarily missed. (I still would like to see Kevin sing live with Glenn Hughes though).

You can find all Quiet Riot news through Frankie Banali's website. There are a couple of interesting interviews posted to Frankie's site that are worth checking out.

- Frankie discusses Rehab track-by-track - Link
- KNAC.com interviews Frankie on the (then) new release - Link

Saturday, January 27, 2007

Quiet Riot Live Rockline Performance Posted Online

Quiet Riot drummer Frankie Banali just posted the band's Jan. 10th live performance on Rockline on his site. The band played an electric set consisting of four tracks from their latest CD Rehab. Tracks performed are:

  • Free
  • South of Heaven
  • Old Habits Die Hard
  • Strange Daze

Wednesday, January 10, 2007

Quiet Riot To Perform Electric Set on Rockline Tonight (Jan 10th)

Quiet Riot is scheduled to play a full-band electric set on Rockline tonight. In the NYC area, Rockline airs at 11:30PM tonight on Q104.3.

The band is expected to play a 30 minute set and, if the show on Staten Island last year is any indication, this should be a great show. I know there is a lot of Quiet Riot haters out there but I have seen the band play live numerous times and I have never seen them fail to deliver a great set.

The band released its 11th album Rehab last year on Demolition Records.