Grand Magus - "Iron Will" CD Review (Metal Blade)

Metal Blade is re-issuing Swedish “traditional metal” band Grand Magus’ 2008 CD Iron Will (originally out on Rise Above) on June 5th. This is my first exposure to Grand Magus so I can’t compare the music on this record to any of the band’s other discs. I’ve read though that Grand Magus started out as “doom” but this disc predominately sounds like Ian Gillan fronting early Iron Maiden.

Grand Magus is a power-trio that was formed by vocalist Janne "JB" Christoffersson and bassist Fox Skinner. After his tenure in Spiritual Beggars, Christoffersson’s vocals are immediately recognizable but his stellar guitar playing comes as a pleasant surprise. I guess it is hard to get noticed as a guitar player when you are playing alongside Michael Arnott. Iron Will was the band’s fourth disc and the lineup this time out includes newcomer Sebastian "Seb" Sippola on drums. For most of the last decade, Christoffersson split his time between Spiritual Beggars and Grand Magus but decided to focus on Grand Magus exclusively after the release of 2010’s Hammer of the North.

While Spiritual Beggars is more groove-based stoner rock, Grand Magus emphasizes driving guitar riffs and melodic leads overtop of a galloping rhythm section. There isn’t a lot of ‘excess’ (guitar heroics, vocal histrionics) on this disc as the songwriting emphasizes the powerful guitar riffs and Christoffersson’s bluesy vocals. The lyrics mostly seem to be focused on pagan/sword-in-stone imagery (the problem with digital promos is one can never be completely certain of the lyrics) which drive to fist pumping, sing-along choruses.



The songs on the first half of the disc are all epic ‘tradition metal’ tracks – in the middle of these songs is a short (under a minute) rumbling bass track (“Hovding”) which serves as an intro. to the grinding riffs and anthemic choruses of “Iron Will”. Starting with “Silver into Steel”, the tone of the disc becomes a bit darker. This track starts with strings playing overtop of a brooding undertone and the track hits full-steam when its grinding Sabbath-ish riffs kick in. The guitars seem to have been “turned up to 11” for “The Shadow Knows”, which brings in more of a thrash/punk sound that is comparable to the sound of Iron Maiden’s first disc. “Self Deceiver” is full-out epic doom number that features down-tuned riffs, a heavy bass line and pounding drums. The band then takes a step back from the darkness with the Alice in Chains sounding “Good and Evil” and the disc ends with the morose “I Am the North”. (Note: this last track runs 5 minutes, not the nine minutes listed. There is a ‘hidden’ minute-long guitar riff at the end of the song.)

Grand Magus' new album, The Hunt, is due out on June 5th on Nuclear Blast.

Links:
Grand Magus

Church of Misery - "Master of Brutality" Reissue CD Review (Metal Blade/Rise Above)

Church Of Misery "Megalomania (Herbert Mullin)" by Metal Blade Records

While waiting for the Black Sabbath reunion album, Rise Above/Metal Blade’s reissue of Church of Misery’s full-length debut, Master of Brutality, should be a good holdover. Master of Brutality was Church of Misery’s first full-length and the disc originally came out on Southern Lord in 2001. This new reissue adds three bonus tracks which extends the total running time by an additional 33 minutes.

While a lot of bands were inspired by early Black Sabbath, Church of Misery is the first band that I’ve heard that writes songs that sound like they came straight out of the Sabbath catalogue. Guitarist Tomohiro Nishimura lays down chunky, blues-based, doom riffs on top of an ultra-heavy rhythm section and the only noticeable differentiation from Black Sabbath’s sound is that vocalist Yoshiaki Negishi has more of a Lemmy/Roddy Stone (Viking Skull) rasp. A quote that was included as part of the packaging with the disc’s original issue tells you everything that you need to know about Church of Misery: “We hate trend. We hate corporate attitude. We hate the word ‘stoner’. Death to false stoners!! Let there be DOOM!!”



Six of the disc’s nine tracks are about famous serial killers (Peter Sutcliffe, John Wayne Gacy, Albert de Salvo, etc.) and, for anyone who can’t understand the band’s disturbing lyrics; the tracks include voice-over sound bytes from the killers themselves. The remaining three tracks are a Blue Oyster Cult cover “Cities on Fire”, a (brief) instrumental “Green River” (4:30 minutes – which is one of the shortest tracks on this disc), and a 17+ minute live version of “Lucifer Rising” (which I presume is a cover of a portion of the Kenneth Anger film soundtrack). In keeping with the band’s obsession with serial killers, prior to the Masters of Reality tribute cover on this reissue, an earlier cover showed John Wayne Gacy’s face covered with blood spatter.

Church of Misery didn’t play outside of Japan prior to 2005 and this band is finally making their US debut, which will take place at the 2012 edition of Maryland Death Fest.

Links:
Church of Misery

Moss - Tombs of the Blind Drugged CD Review (Metal Blade/Rise Above)

The title of this disc says a lot about the music - this is slow, ponderous doom metal which borrows a page from musicians like Xasthur and many of the artists on the Southern Lord roster.

Similar to Xasthur, Moss builds slow, hypnotic songs where tortured vocals are layered beneath a wave of down-tuned guitars, pounding bass riffs, and occasional funeral keys. Three of the four songs on this "EP" are over 10 minutes in length so that gives plenty of time for Moss' mind-numbing music to take hold. The final cut is a doom metal cover of Discharge's "Maimed and Slaughtered" which Moss manages to extend to 3x its original length.

This disc seemed to scare off a few reviewers but, as a fan of the doom/drone genre, I thought Tombs of the Blind Drugged was a great introduction to a band that I wasn't previously familiar with. Fans of most Southern Lord and Hydra Head releases will love this disc. For anyone not familiar with this genre of music, Sunn O)))'s Monoliths and Dimensions is a bit more accessible and probably a better place to start.



Links:
Moss' MySpace Profile