Affixing a genre label to a band is always a dubious proposition as there really isn't a clear definition of what labels like (i.e.) indie-rock and post-rock mean. About 20 years ago, I heard an interview with Perry Farrell and he was asked what he thought of comparisons between Jane's Addiction and The Doors. His response was that he didn't hear the comparison but he understood that writers have to give the reader a reference point for them to 'achor' their expectations for a given band's sound. With that in mind, in previous posts, I had labeled Brooklyn's Bugs in the Dark as 'art-punk' (sort of Pylon meets early Hole), though there was a bit of dark wave on the band's 2011 release Hang It on the Wall. With Bugs in the Dark's new disc, I found it interesting to read that PopMatters described the band's sound as being "at the intersection of indie rock and occult rock".
Having toured with bands such as Jeff The Brotherhood, J. Roddy Walston & The Business, and Japanther, Bugs in the Dark has been described as "The future of New York City music" by The Deli Magazine. The band is playing release show for the new EP on Nov. 21st at Union Pool. Cover for this show is $8 and Bugs in the Dark are sharing the bill with Brooklyn's Haybaby ("Weird and magnetic stuff" - Time Out New York).
Due to curfew regulations, EULA played a shortened set at Bruar Falls last month but the band is coming back through for a show at Cake Shop this Tuesday (May 10th) with The Everymen. Cover is $5 and this is an early show that starts at 9PM.
EULA has a new 10-track disc Maurice Narcisse and the new material sounds great. Check out QRO Magazine's in-depth review of the new disc. Below is the video for the first single, "Texas Stampede".
A live recording of the track "Dirty Hands" (from Maurice Narcisse) is posted above. Based on the show at Bruar Falls, the band's sound has moved past the 'Sonic Youth-like' free-form dissonance to a much more targeted attack that is close in spirit to bands like Gang of 4 (EULA covered "To Hell With Poverty" at the show) and Big Black.
I wasn't previously aware that Bruar Falls had a hard curfew at Midnight (on Saturday night, no loss) so New Haven, CT art-punk band EULA played a blistering but abbreviated set at their record release show last Saturday.
The band has a new 10-track disc Maurice Narcisse and the new material sounded great live. A live version of the track "Dirty Hands" (from the new CD) is posted above. It has been a little while since I've seen EULA play live and Aylse's guitar work seems to have gotten more angular and jagged and the bass and drums rumble aggressively like a pile driver. All-in-all, the band's sound has moved past the 'Sonic Youth-like' free-form dissonance to a much more targeted attack that is close in spirit to bands like Gang of 4 (EULA covered "To Hell With Poverty" at the show) and Big Black.
Check out QRO Magazine's in-depth review of Maurice Narcisse. Below is the video for the first single from the new disc, "Texas Stampede".
EULA has a number of upcoming area shows over the next few months:
New Haven, CT art-punk band EULA is playing a record release show next Saturday at Bruar Falls for their new 10-track disc Maurice Narcisse which comes out on April 26th.
I've been a huge fan of EULA since catching their live show at Crash Mansion a few year back and the band has been winning over fans with frequent trips to NYC. Young & Pretty Blog recently posted an exclusive interview with vocalist Alyse Lamb and described the band as "EULA, a trio from New Haven, CT, in addition to Lamb, consists of: Jeff Maleri (bass, vocals) and Nate Rose (drums, vocals). Their sound is sexy, rough, and wild. Onstage, they are full of vigor; like a teenage garage band playing louder after their mom yells at them to unplug!"
EULA's record release show is next Saturday at Bruar Falls and sharing the bill are Pow Wow, Ghost Bunny and Shark?. Cover is $6 and the show starts at 8PM.
Nothing beats using the end of the year slow-down to try to catch up on some CDs that fell through the cracks during the earlier part of the year.
Brooklyn’s The Art of Shooting’s full-length debut, Traveling Show, was released last April and it is a major leap forward from the band’s 2005 debut EP “Tyrant’s Black Eyes”. After repeated listens, I still find it hard to find a label or two to describe the evolution of the band’s sound. The band still seems to garner frequent comparisons to Siouxsie & the Banshees but, to my ears, this comparison didn’t last past the band’s initial EP. The current sound of The Art of Shooting is more “art-punk” so a better point of comparison might the raw emotion and tension of early Hole crossed with the jagged musical structures of PJ Harvey and Throwing Muses. In a recent interview, vocalist/songwriter Kelly Irene Corson wrestled with the same question of labeling her band’s music and ultimately described it as “melodic melodramatic indie rock”.
Traveling Show seems to be a means of exorcism for Corson, a self-described ‘over-sharer’, as she uses the disc’s eleven tracks to share deeply personal pain points and stories from her past. "Truth till it can be humiliating," attests Corson. "It's empowering to show your imperfections as a point of pride in who you really are." Lyrical themes include Corson’s experiences being kidnapped by a family member (“The Birdcage”), abusive relationships (“Traveling Show”) and running away from home as a teenager (“It Goes (Home)”). This is a somber disc that hides a large portion of this moodiness behind its swirling dark melodies and rich harmonies.
The Art of Shooting’s razor-tight combination of urgency, intensity and emotion make Traveling Show vital listening as this disc provides a means for the listener to exorcise his/her own personal demons.
Traveling Show was produced by both Paul Mahajan (Yeah Yeah Yeahs, TV On The Radio, Liars, The National) in Brooklyn and Keith Souza (Battles, Clap Your Hands Say Yeah, Lightning Bolt) in Pawtucket, RI. "This album has been a series of humbling miracles from beginning to end," sums Kelly Irene. "Though it's tested the ends of my patience, self-esteem, and faith not only in other people, but also in myself, at this moment, I'm as proud of it as I'll ever be."