Showing posts with label New Order. Show all posts
Showing posts with label New Order. Show all posts

Monday, November 11, 2013

Cold Blood Club: Brooklyn Indie Dance Band Premiers New Track - "Down" / Show at Bowery Electric on Tues., Nov. 19th





Cold Blood Club: Brooklyn Indie Dance Band Premiers New Track - "Down" / Show at Bowery Electric on Tues., Nov. 19th
Cold Blood Club are going tear up Bowery Electric next week with their brand of infectiously catchy dance rock. CMJ described the band's music as a "fist pumping ode to a party at the end of the world" and Bowery Electric's stage almost seems too small to hold the energy of this eight member band. Cold Blood Club has a full length, Tear Down the Maps, coming out soon and the advance singles have been trickling out over the last few months. The sing-along party anthem "Goodbye to All That" (streaming above) was released in July and the band has now followed that with a brand-new cut, "Down". This new song features guitarist/vocalist Tom Stuart trading off vocals with Kendra Jones over top of a driving bass and drum rhythm and sweeping keys.

Brooklyn-based Cold Blood Club is a gang of musicians who have been conquering the New York Indie dance scene one packed venue at a time since they debuted their edgy blend of soul, rock, and pop in the summer of 2011. Now, Cold Blood Club offers a taste of their forthcoming LP with new single/video, "Goodbye to All That."



Four piece rock n' roll band Aloud will be opening for Cold Blood Club. Helmed by longtime songwriting partners and husband-and-wife team Henry Beguiristain (lead vocals/guitars) and Jen de la Osa (lead vocals/guitars), the band has recorded three studio albums — with a fourth in the oven — and has crisscrossed the country on several independent tours.



The show at Bowery Electric is on Tues., Nov. 19th and doors are at 6:30PM. Cover is $8 and Cristina Taddonio and Owen Cohen are also on the bill.

Links:
Cold Blood Club
Aloud

Sunday, July 21, 2013

Cold Blood Club (Indie Dance Rock) Plays Bowery Ballroom on July 23rd Alongside Future Bible Heroes (Stephin Merritt)





Cold Blood Club (Indie Dance Rock) Plays Bowery Ballroom on July 23rd Alongside Future Bible Heroes (Stephin Merritt)


Seven member indie dance-rock collective Cold Blood Club are playing Bowery Ballroom on Tuesday, July 23rd, opening for Future Bible Heroes.  Cold Blood Club premiered the song/video "Goodbye to All That" earlier this month which is the first track from this band's forthcoming disc Tear Down The Maps. In a recent interview with Violent Success, guitarist/songwriter Tom Stuart had the following to say about the band's new disc and this first track: "I think almost every song on the record is about a decision and ‘Goodbye to All That’ is like the canary in the cave."

Tuesday night's show starts at 8PM (doors at 7PM) and tickets are $15. Cold Blood Club goes on first and are followed by Luxury Liners (Canter Tanton's latest project), with Future Bible Heroes headlining the show.



Brooklyn-based Cold Blood Club is a gang of musicians, 7-members-strong, who have been conquering the New York Indie dance scene one packed venue at a time since they debuted their edgy blend of soul, rock, and pop in the summer of 2011. Now, Cold Blood Club, who has been hailed as “almost too catchy for their own good” (The Deli Magazine), offers a taste of their forthcoming LP with new single/video, "Goodbye to All That." The New Wave delight, featuring catchy dance grooves, electro-beats and pop sensibilities was produced by Charles Newman (Magnetic Fields, Future Bible Heroes), and mixes in dark overtones to create a bittersweet atmosphere that reflects the nostalgic nature of the lyrics.

Self described as “an open love letter to New York, friendship, heartbreak and making peace with the past,” the follow-up to 2012’s Headlines and Firefights was penned by the band’s creator and songwriter Tom Stuart, as he struggled with balancing the aimlessness of finding a place to live, a thriving nightlife and a tumultuous personal life, themes most young New Yorkers can relate to.

As free-spirited as the group itself and the town that inspires them, the video directed by Kris Merc (De la Soul) depicts the band against a vibrant backdrop of slick city streets, moody dive bars and rowdy karaoke clubs, wrapping us up in a feeling of timelessness that lingers in our hair and clothes like cigarette smoke the next day. It’s the party that lasts all night, and a glimpse into the friendship, reinforced by a shared love of the city, that holds the band together.

Inspired by acts like LCD Soundsystem, Metric and New Order, Cold Blood Club originated as a studio project with Stuart and former Radio America bandmate Jesse Reno (bass) along with newcomer Kendra Jones and Bradley Peterson (Earlymay) on joint lead vocals. After only a handful of shows, Cold Blood Club quickly evolved into the well-matched 7-piece showstopper they are today, joined by agile drummer Shin Kamei (Angela Jane), flame-haired violinist Hilary Davis (Bella Koshka) and classically trained pianist Adina Benno on synth. Their “infectious melodies, not to mention boundless energy” (Sound Dessert) have cemented them as a band to watch in 2013.

Links:
Cold Blood Club

Saturday, January 07, 2012

120 Days (Norwegian Electronic/Dance) Announce Sophomore Disc Out March 6th / New Track "Osaka" Posted as Free Download

120 Days- Osaka by JasiJasi

120 Days (Norwegian Electronic/Dance) Announce Sophomore Disc Out March 6th / First Track Posted as Free Download I neve got around to checking out Norwegian electronic/dance band 120 Days when they came through in 2008 (for show at the Merc) but I gave a listen to the first track off the band's sophomore disc (120 Days II) and got pulled in by the band's teutonic New Order meets Kraftwork sound. The band just released the first single from this upcoming disc, "Osaka", as a free download and this track is also the first release on Club Mod, a new singles imprint by Modular and both Sidwho? and Diskjokke remixed it.

If a year is a long time in politics, five years in music can be a career. The fact that 120 Days have taken half a decade to deliver the follow up to their debut album might have counted against them, especially in a world where things have never seemed more ephemeral, even more so since they flippantly admit that they spent as much time “lucid dreaming and partying” as they did “recording and touring”. But there’s no point making a record when you’re not ready, as any band forced to return to the studio prematurely will tell you. The old adage about having a lifetime to make your first record and only a few months to make the second is based upon truth, and 120 Days will testify to that, having entirely scrapped their original follow up. They had good reason: by the time they’d concluded the heavy touring that followed the late 2006 release of their self-titled debut, they were, quite simply, “sick of seeing each other’s faces”.

120 Days II is darker, dirtier, fiercer and sharper than the band's debut disc. The roots of their new, advanced level of savagery are varied: time spent working with other artists, including Serena Maneesh, Bygdin and Masselys, have undoubtedly broadened their horizons, and their equally broadened tastes in music have no doubt done wonders for their writing. Alongside Kraftwerk, Joy Divison, Neu!, The Cure and Primal Scream – XTRMNTR-era, naturally – new influences have come into play: “the hard minimalist industrial sound of Detroit Techno, the transcendental drone jazz of (early) Alice Coltrane, and the over-the-top orchestral maximalism of Wagnerian opera,” they claim rather magnificently. “When we recorded our debut, we were very much into minimalism, and a ‘changing chords is for pussies’ dogma. In the first years after we released it, we went even further in that direction, so, in a way, you could say that the scrapped sessions were our minimalist peak, and after that we started playing around with song structure again. 120 Days 2.0 sometimes likes listening to the Carpenters. We would never admit that before!



120 Days are: Jonas Dahl, Kjetil Ovesen, Arne Kvalvik, Ådne Meisfjord

Links:
120 Days

Friday, October 15, 2010

Viper Creek Club Plays CMJ Showcase at Le Poisson Rouge on Oct. 23rd

DOWNLOAD: Viper Creek Club - "Eliza"

Seattle electro-pop duo Viper Creek Club are playing the AM Only & Famous Friends CMJ Showcase at Le Poisson Rouge on Saturday, Oct. 23rd.

Viper Creek Club is the joint effort of Seattleites Mat Wisner and Brandon Jensen. The band released their debut full-length Letters in August and Redefine Magazine described the disc as an "array of synths and an endless cache of ideas...[that is] solid...from beginning to end".

Letters is an electronica laden-pop journey that will get the dance floor moving. The album splices a savy production knack with organic percussion and piano, making it both deliberate and natural at the same time. VCC’s beats are carefully constructed and synth-focused, building a fresh sound and energy in the music. The album consists of eleven original songs written by members Wisner and Jensen and is heavily influenced by euro pop music and other genres such as hip hop. Wisner provides vocals, keys, beats, and loops, while Jensen plays guitar. Song content is influenced by everything from murder mysteries to lust gone wrong.



Links:
Viper Creek Club

Sunday, January 31, 2010

Kites With Lights - The Weight of Your Heart CD EP Review

DOWNLOAD: Kites with Lights - "The Weight of Your Heart"

Kites With Lights - 'The Weight of Your Heart' CD EP ReviewKites With Lights' debut five-track EP, The Weight of Your Heart, was released last August but its sound fits perfectly with the techno-pop bands from the early to mid 80's.

Kites With Lights is the brainchild of one-man band Jonah Cordy who gives each song a full sound that would fit perfectly alongside bands like New Order, OMD and Dream Academy. Jonah has a cool and subdued voice, which is complemented by shimmering, dreamy keyboards and a pulsing dance beat that pulls you into the melody of each of the songs. This is late-night dance music that will have you swaying on the dance floor in a euphoric haze.

The Weight of Your Heart is an impressive debut and Jonah Cordy has certainly been keeping busy since its release. Check out the Kites with Lights remix of Pocket featuring Mark Burgess (from the Chameleons) or the band's cover of "Dream Attack" from the forthcoming CD Ceremony - A New Order Tribute.

Links:
Kites With Lights

Tuesday, December 15, 2009

Inu - "Monster" CD EP Review (Count, Tim Hingston, Zoe Keating)

DOWNLOAD: Inu - "The Bailing" (Download requires registration)

Inu - Monster CD EP ReviewInu is an experimental/electro San Francisco based trio lead by Mikael (Count) Eldridge (who has produced/ remixed DJ Shadow, New Order, Radiohead, etc.) that features cellist Zoe Keating (Imogen Heap, Rasputina, Dresden Dolls) and bassist/guitarist Tim Hingston (The Nightland, Stripmall Architecture).

This five-song EP mixes traditional guitar/bass/drums instrumentation with Keating's cello, mellow dance beats and a range of electronic squiggles to come up with an enjoyable trip-hop influenced disc. The first song on the EP, "The Bailing", is available as a free download (the link is at the top of this post) and the song's dreamy, mellow vibe is indicative of the sound of this EP. The one exception is the song "Stephen Colbert" which heads down the track of fuzzed-out Dinosaur Jr. style pop.

Inu will be following up this EP with a full-length in March of next year.

Links:
Inu's MySpace Profile